Thursday, December 31, 2009

We're As Far As We Can Tell

One last story for 2009.

Wishing you a happy and safe new year...

Boston, the 1980s: I'd gone to a forgettable rock show in a small club with a quirky girl who almost always wore red tights. After, I wound up back at her place with a bunch of her friends. They all knew each other really well and I felt like an outsider. We sat around drinking in her small apartment in an old brick building about a mile from my crappy one bedroom. Heat was included in her rent (because there was only one thermostat for 45 apartments), but the entire building was sweltering. And, like most winter nights, the windows were open.

They traded familiar stories while listening to the radio. They were a tight group who had their own shorthand (which I didn't get) and in-jokes (which I likewise didn't get). Still, I loved what the radio was playing (this was during those few months when it looked like the music I'd adored all my life would become mainstream and take over the world) as the rain from the evening gradually turned to sleet and then to snow. She smiled when she caught me daydreaming, perhaps knowing I was imagining what it would feel like to run my fingers along those red tights.

The night was soft and quiet. Even with the windows open, we couldn't hear much traffic. It was late, it was snowing, and there just weren't any cars around.

And then it happened. But not like the movies. Not like you see on TV.

There was no squealing of brakes and no spectacular smashing of glass. Just a huge thunk. And then screaming.

"We should help," I said and ran to grab my coat.

"No," she said. "It's cold. Someone else will help. We're safe and warm. And we're young and we live in the best city in the world for young people."

The others agreed with her. She handed me another beer. I glanced at the red tights.

And I hesitated. Because I wanted to stay. And be young and carefree. And maybe even fit in with a group and have my own shorthand and in-jokes.

"We should help," I said again. And she smiled, thinking I was looking for an excuse not to.

"Someone else will help. We should dance."

And she started swaying back and forth. From far away, I could hear an ambulance.

"See?" she said, dancing faster. "Help is coming. We don't have to do anything."

I nodded, then put down my beer. "I'll be right back."

Downstairs, there were a dozen people gathered around the new car, which had crashed into a telephone pole. A woman was bleeding from her forehead and sobbing as the crowd tried to help her male companion. A few year later, cars would have airbags and both passengers would have walked away. Back then, an ambulance drove them off into the snowy night, paramedics working frantically on the guy. There was blood on the white snow, but a fresh dusting covered it before the cops determined there wasn't anyone around who'd actually seen the crash.

Years later, I can't remember the crappy band we saw that night. And I can't remember all the people drinking up in the overheated apartment. But I remember the red tights I'd never touch. And I remember looking up at the open windows and thinking of these lines from a Robyn Hitchcock song:

"There's nothing happening to you
That means anything at all..."



So I turned away from the building, took one last look at the wrecked car, and walked home... about a mile through fresh, beautiful snow.

Tuesday, December 29, 2009

Power Pop From Oz

I'm determined not to let the year end...

Without pointing you to Peter's Power Pop blog.

Just in the past week, Peter posted:

The great Beatles Xmas single that never was.

A Beatles cover (run through a Big Star filter).

A Christmas song done in the style of the Beatles.

An insanely genius Christmas song from the Wellingtons.

A seemingly timeless slice of power pop from a band called Thirsty Merc (and the one F-bomb makes me love the song even more).

And a couple of great songs from a band called Illicit Eve, which contains not one but two gorgeous blondes who look like every gorgeous blonde who ever tortured every hormonal teenage boy in high school:


(I'd be having nightmarish flashbacks about these two right now if the music weren't so good.)

I could babble more, but head over there and learn for yourself about Peter's Marshall Crenshaw fixation, his occasional series on "unexpected power poppers," and his devotion to the Beatles and the Wellingtons (even when it's not Christmas).

What more do you want? A freaking history of power pop in Australia? Well, he's got that too...

Monday, December 28, 2009

The Year-End List

Ah yes, that time of the year.

Many of my favorite music blogs are publishing year-end best-of lists. And while I admire the idea that someone could rank their favorite albums of 2009 (or, in some cases of this decade-without-name) and come up with a coherent top 10 (or, in some blogs, top 17, top 20, or even top 100), I couldn't do it.

Partially, that's because I couldn't think of 10 (let alone 17, 20, or 100) new albums from this year that I'm passionate enough about.

But mostly, as even the most casual readers probably realized, this is not that type of blog.

So... instead... here's a list of the top 8 posts I never quite got around to posting this year. In the true spirit of this blog, this list probably makes almost no sense to anyone but me (but I swear I'll get around to these posts someday and then they'll make a little more sense to you):

8. The Shins rescue me from talk radio
7. There's no such thing as heroes/Just a bunch of ones and zeroes
6. The New Pornographers through the rabbit hole
5. Chris Stamey and Glenn Tilbrook write different versions of the same song
4. Jane mourns Keith Moon
3. The singer's gone but the group carries on
2. I take the "dork bullet" for Don Dixon
1. In which I use Graham Parker for evil, not good

Sunday, December 27, 2009

Autotuned Out

I'm Talking to You, 67-Year-Old Rock Stars.

My unsolicited advice to a certain beknighted ex-Beatle?

Here's a list of 10 things you might want to avoid:

10. More plastic surgery. Seriously, dude, your face is looking more and more like Angela Lansbury's every day.

9. The reappearance of your 70s mullet. (C'mon, you're worth a half a billion dollars. Get a haircut that's less than 30 years old.)

8. Sucking up to Simon Cowell on the X-Factor.

7. Mugging for cameras. (Do you even know these days that you're doing it?)

6. Playing the ukulele. Seriously.

5. Rereleasing your albums in "deluxe editions" months after they first appear so your die-hard fans (who waited for Starbucks to open to buy the album in the first place) have to buy it again. Again, you're worth a half a billion dollars -- you don't need to do this.

4. Indulging in endless revisionist history about John Lennon. Yes, yes, you were cool too in the 60s. We get it.

3. Refusing to admit that your vegetarian lobbying stems from being attacked with a ham sandwich thrown by Suzanne Vega's punk boyfriend in the 1970s.

2. Writing and recording a protest song to promote "Meat-Free Monday" in under 5 minutes and then expecting people to take your message seriously.

1. Autotune. As great as it is that the Good Evening New York CD/DVD is the full concert, some of the songs are autotuned half to death. No one expects you to sing perfectly live (especially at age 67)... but it would be nice if you sounded human. (And fuck that "Citi Field" bullshit. It's Shea Stadium.)

Come to think of it, though, I'd rather see a non-autotuned concert for a few hundred people in a record store in Hollywood than an autotuned stadium show shot with 15 High-def cameras.

Paul McCartney Live at Amoeba Music 2007:

Friday, December 25, 2009

Three Christmas videos

Merry Christmas.

It's a low-key Christmas here at Casa Clicks & Pops (as it is in a lot of homes this year). There's no pithy story to go with that -- it is what it is. And things will get better (and that, too, is what it is.)

Meanwhile... it's Christmas Day. And while I'd love to retell A Christmas Carol as a parable of the downfall of the music business, I just don't have the energy right now (although I do like the idea of the "Ghost of MP3s Past").

So... meanwhile...

It's no secret that I don't consider it really to be Christmas without Darlene Love's "Christmas (Baby Please Come Home)."

And also these three songs.

The Kinks' "Father Christmas":


XTC's "Thanks for Christmas" (which I wrote about here last year).


And John Lennon's "Happy Xmas (War is Over)" -- embedding is disabled, so click on the link to listen.

So raise a cup (metaphorical or otherwise) to the blessings of the season. And may your new year be happy, healthy, productive, and safe (and may all your vinyl have just enough clicks & pops that you know it was listened to and well-loved).

Thursday, December 24, 2009

Xmas Eve Links

Some cool stuff I found on the Internets...

Wim at I ♥ Icelandic Music posted this gorgeous video from Amiina:


Steve over at the Power Pop blog has a somnambulent M. Ward take on a Buddy Holly classic (with cool stop-motion animation in the video):


And finally, The Vinyl District, a fine source for your musical needs, introduced me to Caravan Palace and their amazing video for the song "Suzy." Is it too late to ask Santa to bring me a dancing robot?


Update: Okay, just one more. Pledge Drive's rewrite of "Bohemian Rhapsody" as a plea from a bad boy to Santa on Christmas Eve: "Christmas Rhapsody" -- lyrics & free download here or watch an animated fan video of the song here.

Tuesday, December 22, 2009

Holiday Rerun: Sacraments from the Church of Rock 'n' Roll

This post originally appeared exactly one year ago today in a slightly different form.

It's hard to imagine now, but at one time Phil Spector was more than a wild-haired convicted murderer serving 19 years to life in prison (heck, at one point, he wasn't even a less-wild-haired guy allegedly pointing guns at John Lennon or the Ramones).

Back in the early days of Rock 'n' Roll, Phil Spector was hailed as a genius who built a dense "wall of sound" by multitracking dozens of instruments and backing vocalists (and mixing it all down to mono).

In 1963, he released A Christmas Gift For You from Phil Spector, which included the Ronettes, the Crystals, and the amazing Darlene Love.

If there was a Church of Rock 'n' Roll, one of its sacraments would have to be Darlene Love singing "Christmas (Baby Please Come Home)." U2, Bruce Springsteen, Joey Ramone, and Death Cab for Cutie (among others) have recorded great versions of this song, but no one comes close to Darlene Love. Her voice (which combines strength, hope, and pure joy in a way that angels would envy) soars above sleigh bells, dozens of stringed instruments, and a choir that sounds like it could number in the hundreds.

Since 1986, David Letterman has had Darlene Love sing this song every year on his last broadcast before Christmas. Although Love is now in her 60s, her voice is still strong and powerful and still can soar above dozens of string and horn players (and the choir). Letterman has said that it just doesn't feel like Christmas until Darlene Love sings this song. Sadly, Darlene Love couldn't appear last year (the show was not in production due to the writers strike).

Maybe it's sacrilegious to talk about a Church of Rock 'n' Roll, but if you don't get the chills hearing this song, you may be beyond hope.

And if Darlene Love doesn't sing this song, then it's not really Christmas.

Darlene Love on David Letterman:
1995:


2000:


2004:


And, as a special bonus, here's video from a 1981 New Year's Eve concert where Darlene Love sang this song live for the first time since 1963!

This year, Darlene Love will sing "Christmas (Baby Please Come Home)" on the Late Show with David Letterman on Wednesday, December 23.