When the gun in the first act goes off in the third...
There's a place.
It's far away. And probably long ago, if we're being literal.
And in this place, there are people who look like you.
There's a library there. Go too deep into the stacks and you'll find anything you're looking for.
But you can't check any of the books out.
You have to stay there and read them.
And you might think this is less than helpful. And you'd be right.
But since the last time you were there, you notice that the library has burned to the ground. And all the people who live nearby refuse to admit there was ever a library there.
Even though there are ashes on the ground. And embers that threaten another conflagration.
And when you pick through the ruins, you wonder what happened to the people who used to go there. The people who look like you.
But the light is long gone. It's the middle of the night, the middle of the winter.
And you're walking, alone in a group. In a city far away.
Looking for something.
Food. Drinks. Companionship.
Something.
But the wind starts to blow and you put on your hat and can't hear much of the conversation anymore.
The conversation about the quality of the light.
You won't sing karaoke tonight. Even if your throat didn't feel like razorblades you wouldn't want to sing.
But you might. You might sing.
Thinking, hoping, that might provide some small warm light in the dark, cold, night.
You let your thoughts wander, figuring out the perfect song -- one you could sing reasonably well, but still one that would sustain your ironic detachment from irony.
But there is no karaoke. Not that night.
And the three hours of sleep don't help your throat and barely help your mood.
You're still starving, looking for something that will satisfy you, not willing to take in the empty calories held out for you.
And talking about poetry. The lines of a haiku. The imagery of the Beats. The way a stanza stretches and curves to accommodate the listener. The fragrant sultry popping of P words and the lush liquid sound of the Ls.
Long after she's gone, the conversation lingers.
And you sit in bed at night, listening to the world. Wondering if she's listening to or if she's at another party. Enchanting the guests with her talk of poetry, her poetry of talk.
Or is she obvlivious? Spreading her gospel of poetry, then moving on to the cool ascetic prose of a monastic life?
It's hard to know.
But not impossible.
Years later, I saw her at another party.
Talking sonnets to the hostess.
So I asked her about the poetry, about the effects on the other guests, about the ascetic prose.
And she swept up her hair, curled a long length behind her ear, and looked at me quizzically. "I just like poetry," she said. "There's nothing magical or amazing about it, I just like poetry."
And she turned back to the hostess. And I saw she was still wearing the knee-high boots.
And I knew she was wrong.
Which somehow, at that moment, was the most beautiful and sad poetry of all.