Lots of people have been talking this week about how great Mick Jagger was on the season finale of Saturday Night Live last weekend.
Which reminded me of when Mick put out his first solo album. And I heard "Private Revolution" by World Party and was convinced it was Mick Jagger.
These days, no one remembers Mick's solo work.
But I'm still listening to World Party.
(And yeah, that's Sinead O'Connor singing backup in the video. But most everything else on the record came from Karl Wallinger -- despite the stop-motion photography and the "band" playing under the tree...)
The moon-faced girl with the imaginary friends glided through the hotel lobby.
She was on her way somewhere, imagining her life. I caught her eye for a second.
And that was all it took. She had it all planned.
The who, what, where, and when.
But it didn't lead anywhere. It wasn't any fun. It wouldn't help her. Or anyone.
And later, when I met her through a friend and we went to the see the fireworks on the Fourth of July, she couldn't remember the hotel. Or the plans she made. Or the places she wanted to go.
But I knew.
And that knowledge wasn't something that came lightly. Or something I could forget about easily.
The B-side of World Party's hit song "Ship of Fools" (in the U.S. anyway) was a great 60s-style organ groove track called "World Groove (Do the Mind Guerilla)." It wasn't on their first record and wasn't a bonus track when the album came out on CD.
It wasn't available on CD until about a month ago, when it surfaced on Arkeology, a 70-track collection of unreleased tracks, B-sides, demos, and live recordings.
And now it's on YouTube, ripped from vinyl.
So enjoy:
And I've always liked to think that the lyrics here are a nod to John Lennon's "Mind Games" song, which talks about "playing the mind guerilla, chanting the mantra peace on Earth."
The original plan was for a sprawling double album that genre-hopped (in the same way the White Album had down 13 years earlier).
Each side would have a different producer: Dave Edmunds, Nick Lowe, Elvis Costello, and Paul McCartney.
But the Edmunds and Lowe sessions each produced one track and Paul McCartney begged off to do his own album.
So Costello mostly produced the sprawling genre-hopping record that squoze down to the amazing single-record classic East Side Story.
Still, I can't help but wonder what might have happened if Squeeze and McCartney had actually gotten together -- especially since the press was tripping over itself to declare Difford & Tilbrook the new Lennon & McCartney.