Me: What's that song on the Chase Sapphire commercial that sounds so much like Paul McCartney? I mean, it can't possibly be McCartney, so it's clearly someone who spent a lot of time listening to McCartney and wants everyone to know it.
Here's the essential, existential problem with Paul McCartney:
He can be so effortlessly brilliant that it seems like he's not even trying.
Or he can be so annoyingly sloppy that he seems like the worst kind of hack (albeit a hack with the most amazing sense of melody you've ever encountered).
For example:
When I met you at the station, you were standing with a bootleg in your hand...
Maybe the problem isn't getting Hi-Hi-Hi, it's that you were already Hi-Hi-Hi when you wrote this.
Sweet Banana.
Or should I call you "My Salamander."
Which, incidentally, doesn't rhyme with "oh no, don't answer."
From 1987 (and arguably better than anything he released in the late 80s) comes an unreleased gem from Sir Paul McCartney:
I wonder what made him shelve this? Fear that he'd be seen as dwelling on the past (or condemning the past)? A gut feeling that the lyrics weren't up to snuff? A deep-seated fear that the Blue Meanies know where he lives?
With a major hat-tip to the amazing Beatle-obsessed Hey Dullblog, here are two Beatle-related items:
A 1999 interview with Jack Douglas, producer of John & Yoko's Double Fantasy album. Among the amazing facts -- Paul McCartney called the studio during the recording sessions; he and John were planning to get together to write songs together, but Yoko made sure John didn't get the message. (This is interesting in light of another report that John was supposed to come to New Orleans to work with Paul on the Venus & Mars album in 1975, but Yoko became pregnant and vetoed the idea.)
Speaking of Paul McCartney, Geoff Geis, has put together something he calls "Fast RAM" or "Ram on 45." The concept is simple as Geis explains: "My buddy Dan C proposed that people in the era of Ram were so drugged-out that slow music appealed to them more." So he recorded McCartney's Ram album at 45rpm instead of 33 1/3. And the results are surprisingly fun and entertaining. Check it out here.
Surely this is why the Internet was invented!
Updated: Commenter David pointed out that, in the comments to Geoff Geis' blog entry, commenter Alan Benard pitch-corrected the Fast RAM to be less chipmunky. You can hear (or download) the pitch-corrected first side here.
John Lennon wanted to announce in 1969 that the Beatles had broken up. But Paul McCartney knew they were in the middle of negotiating a lucrative distribution deal for Apple Records (and would get much less money if people thought there would never be another new Beatles album) and talked Lennon out of it.
McCartney himself casually announced the breakup exactly 40 years ago today.
As a way of plugging his first solo album.
In the middle of an interview he conducted with himself.
As if to prove he didn't need anyone else, McCartney played every instrument on that first album himself. (Unfortunately, he also wrote every song himself... even though he didn't have an album's worth of good songs.)
7. Mugging for cameras. (Do you even know these days that you're doing it?)
6. Playing the ukulele. Seriously.
5. Rereleasing your albums in "deluxe editions" months after they first appear so your die-hard fans (who waited for Starbucks to open to buy the album in the first place) have to buy it again. Again, you're worth a half a billion dollars -- you don't need to do this.
4. Indulging in endless revisionist history about John Lennon. Yes, yes, you were cool too in the 60s. We get it.
2. Writing and recording a protest song to promote "Meat-Free Monday" in under 5 minutes and then expecting people to take your message seriously.
1. Autotune. As great as it is that the Good Evening New York CD/DVD is the full concert, some of the songs are autotuned half to death. No one expects you to sing perfectly live (especially at age 67)... but it would be nice if you sounded human. (And fuck that "Citi Field" bullshit. It's Shea Stadium.)
Come to think of it, though, I'd rather see a non-autotuned concert for a few hundred people in a record store in Hollywood than an autotuned stadium show shot with 15 High-def cameras.
Yeah, that's Ringo Starr looking horrible in an unkempt beard and dorky glasses. And, yeah, the girl is a pre-Princess Leia Carrie Fisher. And, yes, that's Sir Paul McCartney playing kazoo.
My only explanation: The 70s were a lot weirder than anyone thought.