It's hard to know what to love more - Paul Simon corrupting the youth of America with his casual tale of lawbreaking and imprisonment (for sexual escapades or student protests?) or the young girl who's oblivious to Simon's version of the song and just wants to make up her own words.
Special Saturday Bonus: Whenever I throw away a used piano, I give it to a Grouch...
A reader emailed me to ask about my favorite opening line for a song.
It depends on my mood. Sometimes I love lines like "I was born in a crossfire hurricane." Sometimes I'm in the mood for Robyn Hitchcock's intricate wordplay.
But, right now, off the top of my head, here's my list of Top 11 Opening Lines I love. (Tomorrow the list would be different and I might even be able to limit it to 10.)
11. The Nerves -- "Hanging on the Telephone" I'm in the phone booth, it's one o'clock uh huh. Yes, kids, before cell phones there used to be phone booths. Just ask Superman. (And, yeah, this song existed even before Blondie covered it.) It's the "uh huh" that gets me.
10. Tom Petty & The Heartbreakers "I Need to Know" Well the talk on the street says you might go solo. Slick Hollywood posturing and powerful music covering up a broken heart.
9. Badfinger "Day After Day" I remember finding out about you... My second-favorite Badfinger song. (And a pretty great George Harrison slide-guitar solo, too.)
8. XTC "Dear Madam Barnum" I put on a fake smile and start the evening show... Best romance-as-circus-act metaphor ever.
7. Immaculate Machine "Broken Ship" We are sailing on a broken ship and only one of us can survive. Stripped-down instrumentation, simple sparse lyrics, and an emotional vocal that tries desperately to be hopeful despite the pervading sense of doom. (Plus, how can you resist a song that includes the line "cello, play us off"?)
6. Warren Zevon "Werewolves of London" I saw a werewolf with a Chinese menu in his hand walking down the streets of Soho in the rain. I know I've had days like that... and I'm pretty sure you have, too.
5. Paul Simon "Kodachrome" When I think back on all the crap I learned in High School it's a wonder I can think at all...
4. Joe Jackson "Is She Really Going Out with Him?" Pretty women out walking with gorillas down my street... Just. Freaking. Perfect. There isn't a guy alive who hasn't had this thought.
3. Graham Parker "You Can't Be Too Strong" Did they tear it out with talons of steel? Haunting song that explores a controversial issue from a point of view that's usually ignored.
2. John Lennon "God" God is a concept by which we measure our pain... The "dream is over" song... still beautiful and visceral 40 years later.
1. Billy Bragg "Life with the Lions" I hate the asshole I become everytime I'm with you. It's funny because it's true. And I know we've all been there.
So... there's my list. Tell me the ones you think I should've included.
An important part of the mythos of John Lennon is the 18-month "Lost Weekend" he spent in Los Angeles after separating from Yoko Ono. The official account is that Lennon drank, got high, and screwed around with May Pang while getting nothing done. While the drinking, drugging, and screwing are certainly true, Lennon actually got a ton done during that Lost Weekend.
Sure, he was thrown out of the Troubador when he and Harry Nilsson drunkenly heckled the Smothers Brothers (with Lennon wearing a tampon on his forehead), but during that 18 months, Lennon also:
Produced the Nilsson album Pussy Cats,
Recorded a bunch of oldies with producer Phil Spector (as part of a settlement of a lawsuit brought by Morris Levy from Roullette Records, who claimed Lennon stole parts of "Come Together" from Chuck Berry's "You Can't Catch Me" -- but agreed to drop the suit if Lennon recorded three songs Levy's publishing company owned),
Spent time with his song Julian (whose grade-school drawing reportedly inspired the song "Lucy in the Sky with Diamonds"), whom he hadn't seen for years,
Wrote and Recorded the Walls and Bridges album (which featured Julian drumming on one song),
Recorded his single to hit #1 in his lifetime (not counting the dozens of Beatle singles), "Whatever Gets You Through the Night" (with Elton John on piano and vocals),
Performed three songs with Elton John live at Madison Square Garden,
Co-wrote and sang on David Bowie's song "Fame,"
Wrote, sang and played on Ringo's "Goodnight Vienna,"
Hosted a weekly jam session at a rented house in Santa Monica (almost everyone who participated in these jam sessions is now in the Rock 'n' Roll Hall of Fame),
Fought back against attempts by J. Edgar Hoover and Richard Nixon to have him deported,
Reunited with Paul McCartney in the studio for a jam session that also included Stevie Wonder, Bobby Keys, and Jesse Ed Davis (widely bootlegged under the title A Toot and A Snore in '74,
Recorded a radio commercial for Tower Records,
Appeared on the Grammy Awards and made bad jokes with Paul Simon (when Art Garfunkle accepted the award for Olivia Newton John, who won Record of the Year, the first thing Simon said was "I thought I told you to wait in the car"),
And made these two TV commercials (links one and two for Gmail subscribers):
Not bad for a "lost weekend."
PS: Ringo, the aliens want their cheap special effects back.
It's hard to imagine there are lazier excuses for books than Paul Simon's Lyrics 1964-2008 (which contains a very brief introduction and then his song lyrics laid out for $36) or Ringo Starr's Postcards from the Boys (which reprints postcards sent to Ringo over the years by the other Beatles for $25).
At least Paul Simon wrote these lyrics (and even if it's absurd, you still get more than 400 pages). Ringo's book repackages other people's artwork and other people's words (with a sentence comment on each postcard) in a book that's barely over 100 pages.
These books are so lazy that I can't even work myself into a good lather of outrage. (I mean, if Paul Simon and Ringo Starr are too lazy to write a real book, I'm too lazy to mock them mercilessly.)
So, if you've got $61 burning a whole in your pocket, don't buy these books... go buy some music!